![]() In Lupton’s writing course, students discuss texts on critical theory, communications, and semiotics, and learn how to write with publications in mind. The first assignment is to create an alphabet without any traditional drawing tools-including pencils, pens, or computer programs-a project that helps students understand that “the ways to create letterforms are limitless,” says Strals. “Our philosophy about the class is to break rules and try new things, but you’re better able to break the rules when you know them well,” Willen says. “Experimental Lettering & Typography,” taught by Bruce Willenand Nolen Strals, embodies this balancing act of experimentation and boundaries. ![]() The MFA course couples a very structured foundation with the freedom to explore. Students work in various mediums and are encouraged to get involved in an array of collaborative group and individual projects. ![]() She says that students can create, think, research, and write in ways that are “relevant to the public.” The program at MICA stands out for its emphasis on a interdisciplinary and experimental approach, in an academic setting. ![]() “IT’S REALLY A REAL-WORLD PROGRAM,” explains Ellen Lupton, the director of MICA’s MFA program. ![]()
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